![]() ![]() You could also have learned, from some simple Googling, that the Black Crowes do not allow soundboard recordings by fans, because they sell them here. “Schoeps MK41 (PAS)>KCY>tinybox v2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, stereo imaging)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )” Johnny Fried Chicken Boy was next to me with his Milab VM-44 Links.” “I recorded this set with Schoeps MK41 supercardiod microphones in a tight configuration from our usual spot in the venue. ![]() Tags: acidjack, Black Crowes, bowery presents, johnny fried chicken boy, manhattan, Milab, Milab VM-44 Link cardioid, nyc, schoeps, Schoeps Mk41, terminal 5, The Black CrowesĬongratulations, George Markham! You’re officially the biggest idiot to comment on the site this year! Had to you spent even a fraction of the time it took you to leave your ignorant, ungrateful comment, you could have read some of this helpful information from the post, like: ![]() If you download this recording, we expect that you will PLEASE SUPPORT The Black Crowes, visit their website, visit their Facebook page, and purchase their official releases and merchandise, at Amazon and at iTunes. Recorded and produced by: Johnny Fried Chicken Boyġ1. Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC (level 8) Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV 24-bit/48kHz) Schoeps MK41 (PAS)>KCY>tinybox v2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, stereo imaging)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )ġ4 Hard To Handle >Hush Please respect our request.Įxclusive download hosted at Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. 24bit/48kHz FLAC files cannot be burned to CD)ĭownload JFCB’s Milab VM-44 source: | (Users intending to burn to disc should download the 16bit, 44.1kHz FLAC files. Enjoy!ĭownload acidjack’s Schoeps MK41 source: | | Both recordings are on offer here and both are excellent. Johnny Fried Chicken Boy was next to me with his Milab VM-44 Links. I recorded this set with Schoeps MK41 supercardiod microphones in a tight configuration from our usual spot in the venue. Until then, these fine captures should tide you over. So don’t worry - if you missed them at any of the numerous NYC dates they just played, expect them to be back. So did the one-two combo of “Hard To Handle” directly into Deep Purple’s “Hush” and a searing rendition of “Exit” from The Tall Sessions, among other moments that put this show up there with any Crowes gig I’ve seen. Similarly, the band’s cover of Stephen Stills’ “Isn’t It About Time?” had the entirety of Terminal 5 rocking. Even if the Led Zeppelin cover “Hey, Hey, What Can I Do” signaled a night that ended a bit too soon, nobody was denying how pumped they were to hear it. If the acoustic set we recorded last week was a bit longer, it also had a more languid pace than this all-business run-through that included more than its fair share of guitar pyrotechnics and uncommonly played offerings, but very little in the way of tuning pauses or stage banter. This band wouldn’t still be around if these guys didn’t love to play. Even if these were the band’s “last area shows” for this year and next (according to them) I’d say it’s a certainty they’ll be back at it in 2015. For their twenty-plus-year career, the Robinson brothers and their bandmates have gone out there and given it their all, even when their personal issues clouded the situation offstage. That this two-hour show counts as a “short set” by Black Crowes standards says a lot about the generosity of this band. ![]()
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